Mitchelstown

In the summer of 2011, a year after my brother Paul had died, I went back to Ireland to see the family over there. I stayed in County Clare for a few  days before heading down to Cork, staying over night in a B&B in Tipperary.

On the way down south, I stopped to take perhaps fifty pictures in geographical squares that had not been bagged either by me or any other Geograph contributor. One stop I made was in the main square  of Mitchelstown - a small town in  northern County Cork.

It was a case of stopping, taking a couple of pictures and jumping back in the hire car.  I didn't even know who the statuesque fellow was on the plinth. It turns out that he was John Mandeville (1849-1888). In 1887, he led an uprising of tenant farmers in the town - protesting about increased rents and evictions.

Three men were killed by police that day in what is sometimes known as "The Mitcheltown Massacre". For his part in the unrest, John Mandeville was arrested, tried and imprisoned. The harsh treatment he received in Cork City Gaol had a truly awful effect upon his health and he died at home the following year at the age of just thirty nine.

I uploaded the statue picture on to the Geograph website and thought little more about it or Mitchelstown until early this year when - out of the blue - I received a message from a retired Mitchelstown resident called Anne Griffin.

Anne is a leading light in the town's active history group and she was co-ordinating the creation and production of a 250 page book called "Mitchelstown Remembered". She had found my statue picture on the internet and wanted to know if she could use it as the cover picture for the book. Of course I agreed and then she asked how much money I wanted for using my image. I said that I wanted nothing  but I would love to receive a copy of the book when it came out.

She agreed to that and this morning the book duly arrived. I am chuffed to bits. It is not the best picture I have ever taken by far but now I know who the statue represents I feel extra proud about my contribution.

In the course of time I will read the book and send my thoughts about it to Anne Griffin whose energy and "can do" spirit must have made the book happen. Very kindly, Anne also sent me this "thank you" card which was posted on my birthday. If you enlarge it, you may be able to read it better.

Epitaph

 

What is life, 'tis all a vapour

Tho' long on earth we both did stay

Our time was wasted like a taper

Fleeting soon it died away.

Two hundred years ago, Thomas Harris and his wife Elizabeth were buried in Old Somerby churchyard. They both died in the 1820s having reached great ages for their time. Thomas was 82 and Elizabeth was 79. I am sure that their skilfully carved slate gravestone once stood upright but nowadays it lies horizontal in the grass. Possibly a modern health and safety matter.

But what really caught my eye about their gravestone was the epitaph at the bottom. It seems devoid of religious content or any ambition to achieve an after-life state of being. It could have almost been written by the existentialist playwright - Samuel Beckett. A world without a benign "God" watching over them like a shepherd and maybe a pointless world too.

The four lines do not make great poetry. They seem rather amateurish to me  but the meaning is clear. You can sense the despair and it's rather sad that anyone should reach old age and feel so unfulfilled - as if it had all been like a cheap candle burning down.

On a lighter note, it put me in mind of what kind of epitaph I will have on the base of my memorial statue in Endcliffe Park and I have come up with this...

The great Yorkshire Pudding is resting here

He wasted his life on blogging and beer

He could have been someone but chose not to be

And stayed home instead with a nice cup of tea.

Yep, so that's my epitaph. It saves my family a job in what will certainly be a grief-stricken period for them. Why not take a leaf out of my book and write your epitaph too? You can share it in the comments below.  Alternatively, if you need help, I can knock one up carefully craft one for you for a mere fifty guineas! Money up front please.

Grantham

Yesterday, with nice weather promised, I was in the mood for an adventure and a day's walking in unfamiliar countryside from a town I did not know at all.

I was up early in my cosy little room in "The Angel and Royal Hotel". It is a very historic hostelry that can trace its origins back almost a thousand years. Kings have stayed or held court there - including King John in 1213 and Richard III in 1483. Quite amazing really - just like the hotel's exorbitant breakfast prices.

After my shower, I was out into the morning sunshine. The town was bustling with work traffic and secondary schoolchildren in their various uniforms. I made for Thatcher's birthplace and then afterwards snapped the top picture of St Wulfram's Church before heading to St Peter's Hill for an economic breakfast and coffee in the town's only Wetherspoons pub - "The Tollmarche Inn".

St Mary Magdalene Church, Old Somerby

By 9.30am I was ready to begin my long country ramble, plodding east to Beacon Hill and then on to Cold Harbour, across the broad fields then down to the charming village of Old Somerby where I photographed the parish church - dedicated to St Mary Magdalene. By then I had walked almost five miles so I rested for a while in the sunshine and read another chapter of "John and Paul" by Ian Leslie. Sadly, the little church was locked. I would have loved to have a nosy round inside which is what I do whenever I find an open church.

St Guthlac's Church, Little Ponton

Suitably rested I plodded for a further four miles before sitting on a bench in the peaceful graveyard of St Guthlac's Church in Little Ponton. Like most old village churches in England it evolved through time so that the original eleventh century features are tricky to discern. Once again the door was locked so I ate an apple, drank water and read my book before striking north - back towards Grantham.

As the afternoon advanced, the sky clouded over.  From the water tower on Gorse Lane I descended to the southern edge of Grantham and walked through a tightly packed estate of modern houses. I couldn't ever see myself living in one of them. It was just an arrangement of boxes - no sense of community - and by packing them in so tightly the developers had clearly intended to maximise their profits.

Back in Grantham town centre by four o'clock, I was happily knackered. I went back to St Wulfram's Church to check out its magnificent interior then I bought a theatre ticket at The Guildhall. I had noticed there was a two man show on at 7.30pm - an adaptation of "Of Mice and Men" and I had also noted that the performance would only last for sixty five minutes, leaving me plenty of time to get back to Sheffield at a reasonable hour.

I was hungry and thought about a curry. Meals are served throughout the day at Wetherspoons so I was back there by five thirty. I ordered a sweet potato Kerala-style curry with rice and nan bread plus a pint of orange cordial and soda water. It was more than adequate. Then a mini chocolate brownie with ice cream and a coffee.

"The Nobody Inn"in Grantham

More reading time followed but I kept being bothered by a sixty-something Welshman with wide eyes, a woollen bobble hat and probably some mental health issues too. He wasn't unpleasant or aggressive  but he failed to read my non-verbal signals that yelled, "Please! Just leave me alone!" I was so relieved when he departed to catch his bus home after downing his third pint of Guinness.

I had a front row seat in "The Guildhall" and the two competent jobbing actors delivered a convincing, intense performance. Nigel Miles-Thomas was well cast as the lumbering Lenny while Michael Roy Andrew captured the quick-wittedness of George's character very well too. I was very glad I had bothered.

It all made for a great day out.

Sheep grazing near Woodnook Farm

Thatcher

There's a popular brand of cider in Great Britain called "Thatchers". Petty as this may seem, I have never bought or drunk any of it because of the name - "Thatcher". Of course it reminds me of our first female prime minister -  Margaret Thatcher. Would you drink "Trump" beer?

She was a very divisive figure and even today she remains something of a political goddess in the eyes of the right. In contrast, she is still reviled in many working class communities because of the damage she caused and the disdain she showed towards those communities.

Like many, I loathed her for who she was and what she did.

Thatcher was born in the Lincolnshire market town of Grantham. Her parents ran a grocery shop there. Until yesterday, I had never been to Grantham - apart from quick stops at the town's railway station when heading down to London.

Yesterday night I stayed at "The Angel and Royal Hotel" in the town centre before embarking on a very long country walk today.  I didn't get home until 10.15pm tonight. I will write more about that adventure tomorrow but tonight I am just giving you Thatcher-related images, including her statue on St Peter's Hill Green.

That statue was cast in black bronze which seems an appropriate colour choice for her - that darkness I mean. My close up of her black bronze head revealed  that spiders have been making webs on her - reminding me of Miss Havisham in "Great Expectations".

"Digger"

"Digger" starring Tom Cruise. I saw it today. It was not as I imagined it might be - about an Australian infantryman who dug trenches in World War I and played "Waltzing Matilda" on his grandfather's harmonica. No. This was something else entirely.

You have probably heard that "Digger" has been panned by many film critics and has nosedived at the box office. Many think it will lose more money than any other film in history. I am sure that the film makers never planned it that way. They probably thought that they had a big hit on their hands.

It was with that knowledge in mind that I went to see "Digger" anyway. Could it really be that bad? Surely, it had to have some merit. Thus I was at "The Showroom" for the 12.30 screening.

And I will say this about "Digger" - it held my attention throughout. I found it to be both odd and intriguing. 

At first you think you are watching a regular film about a megalomaniacal oil tycoon whose activity in the Arctic Circle is leading to an imminent climate disaster while he strokes his anamatromic  white cat. But as the film progresses you realise that that initial reality may be just an illusion. There's scenery, dressing rooms and an audience. You start to wonder what is real - if anything  and you wonder if the film really is commenting on the climate crisis. Is Digger himself meant to be a mere caricature?

It was hard to make sense of it all but there were many powerful cinematic moments. Officially it is a "dark comedy"  and there were certainly some chuckles along the way.

Perhaps "Digger" is  - as some critics have said - "up itself" but I did not feel disappointed as I walked home in sharp October sunshine. It was not predictable. It had used a range of clever film techniques and it contained some very capable film actors - not just Tom Cruise. 

If I lose interest in a film, my mind drifts away and I also look at my watch a few times with light borrowed from the silverscreen. That never happened with "Digger" so maybe it is not as awful as some are claiming. I was glad that I gave it a shot.

Beatles

Currently, I am reading a recently published book about The Beatles. It is titled, "John and Paul - A Love Story in Songs" and I like the approach that the writer takes. Each of the forty three short chapters focuses upon a different song from the Lennon and McCartney catalogue. Ian Leslie, the writer, is knowledgeable about the mechanics of music but he is also passionately interested in how The Beatles developed and how the selected songs reflected their evolution.

I was ten years old when The Beatles began to filter into Britain's consciousness - before they took America by storm. Though very young, I was already very much into popular music. Under the bed covers, I would listen to Radio Luxembourg on my transistor radio. The very first single that my brothers and I bought was "Return to Sender" by Elvis Presley. That came out in October 1962 and soon went to top spot in the charts. Another record that came out that month was "Love Me Do" by The Fab Four.

And that was when I started recording the British hit parade in a red exercise book. Every week I would write down the details of the top number and so I noted The Beatles' meteoric rise. "Please Please Me" hit number one in March 1963 and then they were off like a rocket ship.

Nothing before could compare with The Beatles. They had found their own provincial style, honed in Hamburg, Germany and they emerged into the light writing their own songs, making up their own musical rules as they went along. And of course at the heart of it all were two young men - John and Paul. They were both very aware of popular music trends in America.

Both of them had lost their mothers when they were far too young and John hardly knew his wayward father. They had grown up in post-war Britain, a country finding itself again. Old habits and certainties were being replaced and it was as if our nation's youth were ready to find their own music, their own heroes, leaving the past behind. You could rightfully claim that the circumstances were right for The Beatles and maybe The Rolling Stones too - along with several other lesser recording artists. Together they were breaking the mould.

This afternoon, I read the chapter titled "In My Life". Driven mostly by John, Paul helped to process it and give it its wings. However, at its core, you can still hear John, plaintively reaching out in his search for love and belonging. "In My Life" was recorded and first released in the last three months of 1965...

Memorial

Seeing the grave monuments to the Collins brothers at Shiregreen caused me to consider my own demise as I drove along the motorway to Hull this morning. Naturally, I was off to watch Hull City draw 2-2 at home to Everton.

I have decided that when I die, my family will be instructed to build a grassy mound in the middle of our local park - Endcliffe Park. On top of it will stand a marble statue of me in my prime. It will be twice my actual height making it exactly twelve feet tall.

The funeral ceremony itself will have no religious content whatsoever as I have never believed in that bumph. Instead there will be a couple of Yorkshire rock and roll bands - The Feisty Whippets and The Tweed Flat Caps along with poetry readings by two of my favourite bloggers - Steve Reed from London and Jennifer Barlow from South Carolina. 

Meike Riley will sing "Nessun Dorma" which means "no one shall sleep" and using only a ceremonial stainless steel garden spade, Roger (Cro Magnon) will be charged with digging the hole into which my bio-degradable cardboard casket will be lowered.

Australian bloggers Elsie and Andrew will perform an unclothed aboriginal war dance and Bob  Slatten who blogs out of Camden, South Carolina will take the mike from Meike to sing  "In The Ghetto" by Elvis.

It will be a marvellous affair - long to be remembered in the annals of Sheffield folklore. Afterwards, the thronging  crowd will be directed to Sheffield United's BramalL Lane Stadium where local Asian restaurateurs  will have prepared a sumptuous curry meal that no one present will ever forget as the  RAF Red Arrows  aeronautical display team weaves crisscross patterns in the sky.

If the Collins brothers  funeral legacy was meant to be impressive, it will not be a patch on my own. Yes that is the way I want it and it has all been clearly written down in my last will and testament. To defy my dying wishes would be abhorrent, almost unthinkable and frankly - sacrilegious.