Should a poem need explanation? Perhaps we really do "murder to dissect". After all, a poem isn't an extract from a washing machine manual. It isn't a financial statement. Some people think that poems are there to be decoded, translated, examined like specimens in a laboratory. I don't agree with or approve of such a mechanistic approach to poetry.
Nevertheless, I should like to reflect on yesterday's poem. And first of all I say thank you to Jennifer in Florence, South Carolina for attaching the curious word "liminal" to my first picture. It's not a word that is in everyday use. This is what a dictionary has to say about it:-
And yes. it was easy to see why Jennifer might have seen the edge of the sea as such a place - a sort of limboland.
I thought of the lugworms as earthbound and of the seabirds as heavenly, soaring up into the blue. The human figures in the poem are therefore at a "boundary" between land sea and sky and perhaps also on the threshold of their own future with the past behind them.
There's a deliberate circularity in this poem as the end focus is again upon creatures that live at the edge. Like the shadowy human protagonists there is a connection between the worms in the sand and the birds. They also have a relationship.
Poems will often concern themselves with the very sound of words - echoes, half-rhymes, full rhymes and repetition. I wanted the personal pronoun "I" to stand alone in the fifth line - solitary upon the shore and in the ninth and tenth lines - "Along the margin/ Of that bay" I was consciously nodding to William Wordsworth and his "Daffodils".
Regarding the eleventh line, human life with all its baggage can be burdensome don't you think? We are forever "weighing" or assessing the "burdens" of memory, hope and conscience that we carry. In this we are dissimilar to the lugworm and the seabird whose lives are more elemental, more driven by the moment. For them it is much easier and simpler to live in the liminal zone.
"Sky" in the second half of the poem chimes with "I" and "fly" in the first half.. "Shore" rhymes strongly with "soar" to seal the poem. There are plenty of "s" sounds to suggest the sound of the sea upon the sand and I like the image of those lugworm coils. I thought of "Spew their little coils" and "Pipe their little coils" but instead opted for "Leave" which has less anthropomorphic association.
Sue said she never thought she would read a poem about lugworms. I am just pleased to have made a poem that contains lugworms. They are hidden from us in their burrows like the truth and the happiness we seek. There but not there in the liminal zone.